Knightdramon wrote:Yeah, the message did seem like a HUGE cop-out. Especially after JR has said that the group might go to Delphi at another time, and the message could be linked at their second visit.
Some parts of the message, in retrospect, make no sense because nothing changed from them---
Agreed, it was a big cop-out. I get the feeling, though, that the story has deviated so far from Roberts' original plans by now that his original ideas for the message simply didn't work anymore. That's not something I can really blame him for, since a lot of the things that happened since the series launched weren't his doing (such as Dark Cybertron and the presence of Megatron).
But the issue wrapped up so many other, little mysteries that it felt like this one didn't get the attention it deserved. It probably would have worked better if they'd sent it when they thought the existing timeline was doomed, rather than tacking it on at the end as a nonsensical aside in between finding a home for Brainstorm's stolen spark and explaining where the Lost Light came from. Just a bit too much flying around at once, IMO.
inflatable dalek wrote:On the other hand, Rewind's logic seemed a bit off (ironically after we thought he was ready to do anything for Dominus he still shot Megatron even though he must know what happened to him in the other timeline), but he's still suffereing from PTSD so that worked, and how it bought him and Domey back together was lovely.
Was his logic off, though? We still don't know what Dominus's fate in the real timeline was, or if our replacement Rewind ever found out about it. Maybe what happened to him here was even worse than the fate he suffered in the other timeline? Or maybe the war turned him into a monster and Rewind figured that dying a martyred hero was better than that?
Either way, my favourite thing about this issue is that even though it's got a lot going on, it's still very character-oriented. A lot of TF writers will get lost in the action at the climax of their stories, but Roberts seems to have a good handle on how to keep the two balanced. His characters drive the plot, not vice-versa. And because of that you can look back on the issue in retrospect and say "of course it turned out like that!" Because there was no other way it
could turn out with this group of characters on the scene, and we've come to know them all well enough to see that after the fact.
(I am slightly miffed that neither Rewind nor anyone else seems to care that he murdered an innocent miner who
totally wasn't Megatron for what turned out to be no good reason, though.)